Finally, guitars were the primary instruments being used by Delta Blues musicians as they were cheap and transportable. Komara, Edward (2007). Music writer Elijah Wald has described it as "a hypnotic lament" and "his first unquestionable masterpiece". Amistad. A sometime traveling companion and fellow musician, Johnny Shines, recalled that Johnson's performance of the song could be overpowering: Johnson recorded the song on November 23, 1936, at the Wald, Elijah (2004). "Spell #13008". Only two sung verses are common to both takes. Calt, Stephen.



His untimely death at the young age of 27 gave rise to suspicions that he had The origin of Blues emerged from the South when black musicians would take African-American melodies (those learned from work songs) and combine them with a specific musical form. The other establishes the regretful retrospective mood of the singer: Contained in this work are interviews with hoodoo practitioners illustrating the use and meaning of the nation sack. You better come on in my kitchen, it's goin' to be rainin' outdoors Ah, the woman I love, took from my best friend, some joker got lucky, stole her back again You better come on in my kitchen, it's goin' to be rainin' outdoors Ohah, she's gone, I know she won't come back I've taken the last nickel out of her nation sack

Then I realised they were crying – both women and men.Blues scholars have identified a body of previously recorded songs with direct and indirect melodic similarities. One describes the isolation of the woman: "Everybody throws her down".

In both, his opening verse is a wordless hum, and his central verse is the spoken address to his woman "Can't you hear that wind howl" as his guitar imitates the sound of winter wind. "Come On in My Kitchen" is a blues song by Robert Johnson. Barrelhouse Words, A Blues Dialect Dictionary. [9] Harry Middleton Hyatt, Hoodoo - Conjuration - Witchcraft - Rootwork, 5v., 4766pp., (1935-1939).

Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. (2009). Urbana and Chicago: University of Illinois Press. Edward Komara suggests a line of recordings with notably high degree of sales and of imitation by other artists: 1925 "How Long Daddy How Long" (Komara suggests that Johnson's thumbed bass lines in "Come On in My Kitchen" were directly inspired by Carr's piano in "How Long" and that part of humming and slide guitar playing copied the violin of Lonnie Chatman of the Sheiks on "Sitting on Top of the World".In his two takes, Johnson created two texts based on the refrain and on a consistent emotional projection.

Come On In My Kitchen (Viens dans ma cuisine) Mmm mmm mmm mmm mmm mmm Mmm mmm mmm mmm mmm mmm Mmm mmm mmm mmm mmm Mmm mmm mmm mmm mmm Mmm mmm mmm mmm mmm mmm Mmm mmm mmm mmm mmm mmm Mmm mmm mmm mmm mmm Mmm mmm mmm mmm mmm You'd better come on in my kitchen Tu ferais mieux de venir dans ma cuisine …

Hal Leonard.

He was playing very slow and passionately, and when we had quit, I noticed no one was saying anything. The Road to Robert Johnson: The Genesis and Evolution of Blues in the Delta From the Late 1800s Through 1938.

Come On In My Kitchen (Take 1) In addition, lyrics would be added to the song to appeal predominantly to a black audience. Escaping the Delta: Robert Johnson and the Invention of the Blues. One time in St, Louis we were playing one of the songs that Robert would like to play with someone once in a great while, "Come On In My Kitchen". Robert Johnson is considered one of the greatest musicians of the Mississippi Delta Blues style. Come On In My Kitchen was recorded during Robert Johnson’s first of two recording sessions in 1936 and was later reissued in 1937, with minor lyrical adjustments.


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