Promise. Try this setup trick: Pin your upper left arm to your chest, then keep the connection when you swing. Rather, it’s a gentle build up of speed.Louis is not a big guy by modern standards. My swing has been called the smoothest on Tour.

That tiny pause harmonizes all the moving parts happening in your swing, creating the smooth tempo needed for pure contact.Try this: Swing to the top, maintaining the connection between your left arm and your chest (photo below). LS17 9BF Every good player I know pauses at the top, if only for an instant.

In just a few attempts, you should start catching the ball flush. My favorite swing drill involves hitting shots with my feet close together. He's balanced on the balls of his feet with good knee flex and bend at the hips, not the waist. I believe that if you get your top position right, solid impact happens almost by itself. To make your motion a lot sweeter, try the four moves on these pages. The correct feeling is that your arms (rather than your shoulders) are falling. Even when he’s hitting a driver over 300 yards he still looks like he’s swinging so smoothly.It’s almost like some of these South African players have been born with this rhythm.What do I like most about Louis’s move?

Hannah Holden Sign up here for our newsletter and you'll never slice a drive again. I love it because it automatically smooths out my swing. He initiates the transition from the ground up then accelerates around his body.Because his arms and his body motion are so well matched, when he turns his body it doesn’t appear to be a violent move. Louis Oosthuizen - Slow motion golf swing analysis - YouTube Forcing your hands into a hold that conforms to textbook instruction can rob you of feel, and your tempo will be toast.Quickness kills rhythm.
The only thing that can mess you up is rushing the start of your downswing. Louis builds his speed up like a car moving through the gears.He doesn’t go from first to fifth when he’s trying to hit it further. Build speed slowly until you max out at impact. What do I like most about Louis’s move? Elite coach Dan Whittaker explains what we can learn from watching some of the world's best players Alex Perry Plus, my hometown of Mossel Bay is one of the windiest places in South Africa (locals joke that even the birds have to walk). Dan Whittaker | If you look at Ross Fisher here, the lie is quite tight. He matches his arms to his body movement perfectly.He also sets the wrists nicely in the backswing. Then I start the club back, shifting the weight back to my right foot. My pre-swing press ignites a Tour-caliber … You’ll soon hit every single iron in the center of the clubface.My mantra? My pre-swing press ignites a Tour-caliber takeaway. It’s so uncomplicated to look at but he’s got great sequencing. This will increase the spin rate.I always notice when playing abroad that the grass is different and the greens are a bit grainier. TRIGGER A SIMPLE BACKSWING. Growing up in South Africa in the 1990s, I copied Ernie Els. Get it right and you’ll reach peak speed when it counts.GOLF.com and GOLF Magazine are published by EB GOLF MEDIA LLC, a division of 8AM GOLFLouis Oosthuizen’s 4 Simple Moves For a World-Class Swing So don’t do it! by
It’s so uncomplicated to look at but he’s got great sequencing.In the backswing, the arms are really nicely balanced with his body rotation. So I developed a trigger to keep me smooth from the very start, and I now use it on just about every swing.Here’s how it works: As soon as I settle into my stance, I press my hands toward the target (middle photo, above), letting some of my weight shift to my left foot. Louis Oosthuizen’s tempo is unbelievable. I’ll often do it while counting in my head: “1”—settle, “2”—press, “3”—swing. Swing softly—and choose a bigger stick. As is the club remaining outside his hands – he doesn’t let the club pass his hands.I see a lot of amateurs trying to help the ball up into the air and that’s a killer when trying to get spin.Unless you have got a nice, tight lie then you can’t rely on spin to get the ball close on short shots.Instead, you’ve got to control the height of the shot.They aren’t working as a unit so are dragging across the ball with their arms.They are trying to get spin through aggressive speed.My suggestion is that you should focus instead on two things: one, where your low point is – it needs to be after the ball;  and two, ensuring a good connection.by


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