The use of “God,” which, granted, is a much more general term than “Allah,” is increasing, and in 2014 it’s being used in hip-hop more than ever. Data shows that references to Islam in hip-hop lyrics, once pervasive, are at an all-time low—while rappers are talking about Christianity more than ever. That shouldn’t be a surprise. Budding interest in alternative, radical music could be a fad – or signal yet a new alliance between Muslim and leftist social-justice values. Back in July, reclusive Roc Nation rapper Jay Electronica emerged from self-imposed exile to the Brooklyn Hip-Hop Festival, playing a raucous, cameo-filled set that ended with his mentor Jay Z conferring a righteous honor upon him. Odds are the messiah is hanging in the form of a gaudy, diamond-encrusted pendant called a Jesus piece, first worn by Ghostface Killah in 1994—or The Jesus piece has appeared on everyone over the past two years, from So why has hip-hop been so pious lately?
A change in the people making the music, for starters. Often called “hip-hop’s unofficial religion,” Islam is now a negligible force in rap. Busta Rhymes.
Back in July, reclusive Roc Nation rapper Jay Electronica emerged from self-imposed exile to the Brooklyn Hip-Hop Festival, playing a raucous, cameo-filled set that ended with his mentor Jay Z conferring a righteous honor upon him. The Islamic worldview is socially conservative in most of its mainstream forms, but the centrality of social justice in Islam has always meant that Islamic parties share some common ground with the left – even where the politics between them are contentious.Leftist parties in the Muslim world historically haven’t hesitated to couch their rhetoric in religious terms when so doing was perceived as useful – witness Zulfikar Ali Bhutto’s description of Pakistan People’s Party policies in the early 1970s as Musawat-i-Muhammadi, or “Muhammad’s egalitarianism.” Iran’s Islamic Revolution was received as an essentially Third World project in many quarters, with supporters from Nigeria to Indonesia and even some outside the Muslim majority world citing Khomeini’s anti-hegemonic credentials.Today we see sparks of growing cooperation between Islamists and leftists in the Middle East, although so far this speaks more to a realization by opposition leaders that it’s politically expedient to play down differences. Let’s dig deeper.In the battle of God versus Allah, at least as it relates to hip-hop, God wins. Graphs have revealedl that references to Islamic culture in rap lyrics have been steadily dropping since the early 2000s, and are now a sixth of what they were during a peak between 1990 and 1995.

A collective sense of identity emerges from this common urban experience, across different national settings – hence the transatlantic currency of the hip-hop movement, and presence of Islamic references in hip-hop culture, through quasi-Muslim religious groups such as the Five Percenters.Seeking to validate the impulse that lies behind the popularity of this music, but direct its outward expression in more positive directions, a number of artists have recently experimented with Muslim versions of hip-hop. D.C.-based rapper Wale provided the simple answer in his Jesus piece-bashing song “Golden Salvation”: “Religion is a style, if not then why this shit a quarter mil?”

It’s a safe bet 9/11 played its part, too. Jun 28, 1989 . For a fleeting moment, hip-hop appeared as it once did: powerful, black and Islamic.That moment quickly passed. Muslim thinkers from Ali Asghar Engineer in India to South Africa’s Farid Esack and the Iranian-American cultural critic Hamid Dabashi have articulated varied, often sharply contrasting accounts of the relationship between Islam and social-justice activism.These steps will talk about mixing styles, software used, blueprints, looping techniques, and some other techniquesHey, great article. Today, the difference is greater than ever.What’s behind the change in hip-hop’s religious preference? Why has rap forsaken one god for another?

The late ’80s and early ’90s were rife with Muslim rappers and others who identified with the Nation of Islam and the Five Percent Nation, two groups that are rooted in Islamic teachings though their members may not consider themselves Muslim. For a fleeting moment, hip-hop appeared as it once did: powerful, black and Islamic.That moment quickly passed. Al Qaeda / Taliban rap paper plate awards: a discussion of Jihadi references in rap lyrics "Don't Ask Me How": The Elusive TRIPLE Entendre in Hip-Hop Rappers and the Alphabet: A Romance on the D.L. Styles and messages converge, as young Muslim teens blend cultural and political expression with their Islamic faith, explains author Peter Mandaville. Flanked by besuited members of the Nation of Islam’s Fruit of Islam wing, Jay Z removed a glistening Five Percent Nation medallion from his neck and placed it over the head of his enigmatic charge. Hip-hop was at a crossroads: firmly entrenched as a dominant commercial force but reeling from the deaths of its two biggest stars. D.C.-based rapper Wale provided the simple answer in his Jesus piece-bashing song “Golden Salvation”: “Religion is a style, if not then why this shit a quarter mil?” The word “bible” is being used more than ever, and the word “Quran” less than every year measured except 1988.That’s not all. What happened?Jay Z performs with Jay Electronica at the Brooklyn Hip-Hop Festival, flanked by members of the Fruit of Islam.To find the answer, let’s go back to 1998. The Five-Percenters get their name from the idea that only five per cent of humanity known the truth about existence and are 'poor righteous teachers' trying to tell the rest of the world the truth. Styles and messages converge, as young Muslim teens blend cultural and political expression with their Islamic faith, explains author Peter Mandaville. But those are just two words.

Don’t focus on the frequency here—rappers have always used the word “God” more than “Allah”—but the trajectory.


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